Tag Archives: museums

Paris and the Louvre

Paris is known as the City of Light. From the roof of our hotel in the St. Michel area we could see some of the significant monuments. This photo, made without tripod, shows the Eiffel Tower. I think the building to the left is the Hotel des Invalides which among other things is the burial site of Napoleon Bonaparte. The building to the right is St. Germain des Prés. In the opposite direction from the hotel we had a nice view of the Cathedral of Notre Dame.

Paris at Night. Photo by Ferrell Jenkins.

Paris at Night. Photo by Ferrell Jenkins.

We were able to spend two of our Paris days in the Louvre. This museum displays excellent collections of archaeological artifacts from Mesopotamia, Persia (Iran), the Levant (Syria, Jordan, some sites of the current West Bank), Greece, and Rome. There is an Egyptian collection, but I do not find it as satisfactory as the other collections.

The Louvre is always closed on Tuesday and certain rooms may be closed on other days, or a half day. Years ago I learned to have two or three days in Paris in order to be able to visit all of the galleries I wanted to see. Yes, we saw the Mona Lisa, too.

The lines to get tickets for the Louvre are long. The photo below shows two of the six or more places to buy tickets, in addition to automated machines, under the great pyramid. It is best to buy tickets online or from one of the shops such as the Tourism office near the Opera. Tickets are about $20.00 per person for each day of entry. Those with tickets are able to enter through a short line while long lines wait outside just to get into the building to wait in line to buy tickets. The Museum web site explains about advance tickets under “Plan Your Visit” here.

One of the ticket lines at the Louvre. Photo by Ferrell Jenkins.

One of the ticket lines inside the Louvre. Photo by Ferrell Jenkins.

There were large crowds in the Louvre. Some galleries attract guides with tour groups. It’s fun to watch. The guide is nearly running with an umbrella or flag. The tourists are trying to keep up, but snapping their cameras or cell phones at busts they probably will not be able to identify once they are at home. I saw a young lady making a photo of the Roman Diana. I assume she had been at Disneyland Paris a day or two earlier. She did a nice job of composing her photo. When I saw her later and noted that she was a young teenager I was impressed that she wanted to visit the Louvre.

Euro Disney one day; the Louvre the next day. Photo by Ferrell Jenkins.

Euro Disney one day; the Louvre the next day. Photo by Ferrell Jenkins.

I have been to China, but I think most of the citizens have come to Berlin, Paris, and London to visit the museums.

Photography is permitted in the Louvre. I even made a few shots using flash when I thought it would not damage the artifact. None of the guards seemed to object. Items behind glass always create a problem for photographers. By visiting the museum two days I was able to check the first photos to be sure they were sharp. On the second day I was able to remake some of those that were not good.

Traveling in Europe

For the past week my wife and I have been traveling in Europe, revisiting some of the places we have enjoyed with groups over the years. Berlin is one of those places. We did some of the typical sightseeing, but the main visit was the museums with Ancient Near Eastern collections.

My first visit to the Pergamum Museum was about 1978. I returned several times when the Museum was behind the Berlin Wall, and have been there several times since the fall of the wall.

The Egyptian collection formerly was in the west, but now is housed in the Neues Museum in the building on the left of the photo below. Considerable construction is underway in the area. The former entry to the Pergamum Museum is closed. The red sign in the distance points to the temporary entry. Crowds are so large that people wait in line for four hours or more to buy at ticket and gain admission to the Museum. The only way to avoid this is to purchase a ticket online with a 30 minute time span for admission. I purchased a two day Museum pass after I arrived in Berlin and then made an appointment online for two different days. A single entry costs about 13 Euro (a little under $20 per entry).

berlin_pergamum-crowd-01fj_1

Crowds waiting in line to enter the Pergamum Museum. Photo by Ferrell Jenkins.

The Pergamum Altar already has some scaffolding in place. At the end of September the exhibition will close for __________ years (you know about government projects).

The visit was somewhat disappointing because of the appointment requirement, but mostly because portions of the Museum are closed. Whole galleries pertaining to the the Greco-Roman world are not open. The great Ishtar Gate from Babylon is open, and the Miletus Marketgate, which was covered with netting the last time I was in Berlin, is now one of the nicest exhibits. The halls dealing with Babylon, Assyria, and the Hittites were open.

Later I hope to share some representative photos with you, but I confess that I am traveling with a Samsung Tab 4 and have had difficulty getting the single photo above loaded into the blog. I refused to pay the $20+ a day to be online at the hotel. I only ate at one place that offered time online, and they could not locate the card with the passport. 😦

We are in Paris now and I have Wi-Fi at the hotel. The Louvre is closed on Tuesdays, so I went to the Tourism office and purchased tickets to the museum in order to avoid the long lines the next two days. The tickets here are under $20 per entry.

If any reader has experience in loading photos from an Android tablet into WordPress I would be glad to hear about it. Who knows, maybe I will be able to load a second photo.

 

Some Museums in Turkey

My Ancient Crossroads Tour of Biblical and Historical Turkey is compete. Yesterday most of the tour members returned home. A few had other plans of travel before returning.

There are some wonderful museums in Turkey, but many of them are undergoing restoration at this time.

We missed seeing the main section of the Museum of Anatolian Civilizations in Ankara due to restoration. A nice,  small section containing mostly classical materials was open, but the great collection of Hittite materials (our reason for going there) was closed. According to an article in the Harriyet Daily News it reopened last Friday.

The Archaeological Museum in Antakya (Antioch of Syria, Acts 11, 13) was almost bare. Only a few of the lesser quality mosaics were on the walls. A new museum will open soon. I had told the group that we would see some good Hittite materials there, but they had already been moved. Incidentally, the Church of St. Peter and the Simon Stylites Monastery were also closed for renovation.

We did better at the fabulous museum in Antalya (Attalia of Acts 14:25). The Roman period statuary from Perga in Pamphylia (Acts 13:13-14; 14:25) is housed there.

In Istanbul we were able to visit the Ancient Orient section of the Archaeological Museum. The museum containing material from the classical world was closed. An excellent selection of materials was housed in a small area of the Museum.  The third floor, where artifacts from Palestine are housed was closed. Our appeal for entry failed.  There is where some very famous pieces are housed − the Siloam Tunnel inscription, the Gezer Calendar, the Herodian Temple inscription forbidding gentiles from entering the Temple, et al.

The Ancient Orient building houses a large number of bulls, dragons, and oxen from the procession street of ancient Babylon. I think it is second only to the Pergamum Museum in Berlin. There are excellent Hittite materials, including the oldest treaty between nations. It is the treaty between the Hittites and Pharaoh Ramses of Egypt after the battle of Kadesh on the Orontes. There are several pieces from the Assyrians, and a clay cylinder from the time of Nebuchadnezzar.

Here is a picture of one of the basalt Hittite column bases from Sinjerli. It is a double sphinx, dating to the 8th century B.C., that came from the entrance to Palace III.

Hittite Column Base from Sinjerli. Photo by Ferrell Jenkins.

Front view of Hittite column base from Sinjerli. Photo by Ferrell Jenkins.

Below is the side view of this column base. Note that the figure of a lion shows a human head and wings of a bird. This provides a good illustration for the apocalyptic imagery in Daniel, Ezekiel, Zechariah, and Revelation.

Side view of Hittite Column Base from Sinjerli. Photo by Ferrell Jenkins.

Side view of Hittite Column Base from Sinjerli. Photo by Ferrell Jenkins.

These are the Hittites with whom the ancient Israelites had dealings. Solomon imported horses and chariots from Egypt and Kue and exported them to the Hittites (1 Kings 10:29). See 2 Kings 7:6 for another reference to these people in the days of the prophet Elisha.

All things considered, maybe it didn’t turn out so bad after all.

Archaeological Conferences in Houston

The Dunham Bible Museum at Houston Baptist University will host an Archaeological Conference devoted to Khirbet el-Maqatir, proposed site for Biblical Ai, Saturday, February 8, 2014. Speakers include Dr. Bryant Wood, Dr. Eugene Merrill, Dr. Scott Stripling, and Dr. Leen Ritmeyer.

Information about the conference and registration details may be found here.

From January 21 – December 19, 2014, the Dunham Bible Museum will display a special exhibit, Khirbet el-Maqatir – History of a Biblical Site. This is in cooperation with the Associates for Biblical Research. Details here.

A scene in the eastern Sinai wilderness. Photo by Ferrell Jenkins.

A scene in the eastern Sinai wilderness. Photo by Ferrell Jenkins.

The Lanier Theological Library announces a lecture by James Hoffmeier and Stephen Moshier dealing with the exodus and the location of Mount Sinai. The titles for the January 18th lecture are,

  • Moses Did Not Sleep Here!
  • A Critical Look at Some Sensational Exodus and Mt. Sinai Theories

Registration information is here. (HT: Bible Places Blog).

The lectures by Hoffmeier and Moshier are the climax of a two day Consultation on the Historicity and Authenticity of the Exodus and Wilderness Traditions in a Post Modern Age. Details here.

Speakers include Richard Hess, Steven Ortiz, Alan Millard, Richard Averbeck, Lawson Youngers, Jr., and others.

Damage Reported at Mari in Syria

The French archaeologist André Parrot (1901-1980) carried out several excavations at Mari between 1933 and 1960. Having read about recent damage to the ancient buildings of Mari, I wanted to share a couple of photos of artifacts from the site.

The first statue is of the Iku-Shamagan, King of Mari. It dates to about 2650 B.C. and is from the temple of Ishtar in Mari. The statue is about 47 inches high and was displayed in the Damascus Museum in 2002 when I made this photograph.

King of Mari statue in Damascus Museum. Photo by Ferrell Jenkins 2002.

Iku-Shamagan, King of Mari, praying. Statue in Damascus Museum. Photo by Ferrell Jenkins 2002.

The small (about 20 inches high) statue of Ebih-II, the superintendent of Mari, was discovered in the temple of Ishtar. It dates to the period of about 2900-2750 B.C. and is made of gypsum, with eyes of shells and lapis lazuil. This artifact, along with several others, is displayed in the Louvre.

Attendant to Ebih II of Mari. Louvre. Photo by Ferrell Jenkins.

Statue of Ebih II superintendent of Mari. Louvre. Photo by Ferrell Jenkins.

Mari is located far east in Syria near the Euphrates River. The city was located on the main route between Assyria and Babylon. If Abraham first lived in south Mesopotamia then he might have passed this way on the trip to Haran (Genesis 11:27 – 12:5).

Project Syrian Archaeology has some photos of poor quality showing damage to historical sites at their Facebook page here.

The Meat Market at Corinth

Paul taught the saints at Corinth to,

Eat whatever is sold in the meat market without raising any question on the ground of conscience. (1 Corinthians 10:25 ESV)

The Greek word used here for “meat market” is makellon. Archaeological discoveries at Corinth include inscriptions mentioning the meat market and the fish market.

Henry J. Cadbury writes about visiting the Corinth excavations in July, 1933. He says he especially wanted to see “first hand the Erastus inscription….” Some of his comments in the article are still interesting today.

But what was particularly unexpected by me was to note among the inscribed fragments of marble in the new museum one containing quite clearly MACELLV.

As the piece has only seven other letters and these quite unintelligible the discovery of this single word is extremely tantalizing. But since the fragment in question was found in 1898, now thirty-five years ago, while so far as I know its one clear word has never been brought into connection with Paul’s reference to a Corinthian macellum, it is worth while now to do so. And the fragment does not stand quite alone; nine other fragments of the same inscription have been found, and furthermore another copy apparently of a similar inscription is represented by eleven fragments.

Citing A. B. West and L. R. Taylor, Cadbury says the various inscriptions mentioning the macellum at Corinth date to the “last years of Augustus or to the reign of Tiberias.”

In my earliest years of traveling to Corinth I saw this inscription each time I was there. Below is a digitized slide photo from 1971. This inscription was in an open hall surrounding the courtyard of what Cadbury called in 1934 “the new museum” at Corinth. At some point, perhaps in the 1990s the inscription was no longer on display. My guide at the time was well informed and had likewise seen the inscription. Inquiry in the office of the museum provided no information. Finally, a few years ago (probably 2008 or 2012) I found one of the workers preparing for the renovation of  a “newer” museum at Corinth. She informed me that the inscription was in their storeroom and that it would eventually be displayed again.

In the photo below you will see the Latin word MACELLV[M] in the fourth line from the top. Paul used the same Greek word in 1 Corinthians 10:25.

Makellum inscription at Corinth Museum in 1971. Photo by Ferrell Jenkins.

Makellum inscription at Corinth Museum in 1971. Photo by Ferrell Jenkins.

Cadbury refers to published inscriptions from Corinth. This is No. 124. It is thought to have consisted of three blocks. The beginning of the five lines in the first block of No. 124 reads as follows:

Q . C O
M A E C
S E C V
M A C E L L V
I N E A . L O C

New Testament Christians did not live in a vacuum, and the books of the New Testament were not written in a vacuum. Understanding the historical and social context of these writings helps us to better apply them to our own time.

Documentation: Henry J. Cadbury. “The Macellum of Corinth.” JBL 53:2 (1934): 134-141.

Tel Rekhesh may be Anaharath

The Jewish Press reported here on the discovery of a Canaanite cult altar at Tel Rekhesh, an archaeological mound east of Mount Tabor. Archaeologists from the University of Tenri, Japan, and the Institute of Archaeology of Galilee Kinneret Academic College, have been working together at the site for the past six years. I have had the site on my “wish list” for the past three years, but have not yet visited the it.

The reports says,

The same excavations also revealed large parts of a Jewish farmhouse dating back to the Second Temple. Researchers were able to establish that this was a place of Jewish dwellers based on typical stone tools, oil lamps and coins minted in the city of Tiberias.

“The diggers received a big surprise,” said Chairman of the Institute of Archaeology of Galilee Kinneret Academic College Dr. Mrdechai [Mordechai] Avi’am. “In the ruins of the second floor of the farmhouse, they discovered a Canaanite cult statue, similar to a statue that stood in the sanctuary of a temple which is yet to be located.”

“Similar stones have been discovered in a number of Canaanite sites, such as Hazor,” Dr. Avi’am said. “The same stone was later used as part of a doorframe in one of the rooms of the Jewish structure. This is the unique development of archaeological hills in Israel, where successive generations mingle ritual objects on their way from the world of the Canaanite mythology to monotheism.”

This region is located in the territory allotted to the tribe of Issachar (Joshua 19:17-23). Y. Aharoni identified Tel Rekhesh with the Biblical site of Anaharath (Joshua 19:19).

Location of Anaharath. BibleAtlas.org.

Location of Anaharath. BibleAtlas.org.

In a page About the Site, the web page says,

Some of the findings from the site, collected by local people, are now exhibited in the archaeological museum in the Kibbutz Ein-Dor, some 5 km from Tel Rekhesh.  The collection includes a fragment of Egyptian stela, a clay model of a temple, and complete pottery from various periods.

The photo below is one I made earlier this year. At least seven of the artifacts displayed in this case are identified as being from Tel Rekhesh. Most of them are used in food preparation. The shrine in the center (“model of a temple”) is a replica. I failed to get a photo of the Egyptian stela fragment.

At least 7 of the artifacts displayed in this case at The Ein Dor Archaeological Museum are from Tel Rekesh. Photo by Ferrell Jenkins.

At least 7 of the artifacts displayed in this case at The Ein Dor [En-dor, Endor] Archaeological Museum are from Tel Rekesh. Photo by Ferrell Jenkins. Click to enlarge.

The web site for the Tel Rekhesh project is available here, but the content is not current. Todd Bolen includes a photo of Tel Rekhesh in the Tabor River valley here.

HT: Joseph I. Lauer

Sargon II, Ashdod, and Isaiah 20:1

Ashdod was located along an international highway known as the Way of the Sea, the Way of Philistia, or the Via Maris. This was the important route connecting Egypt and Assyria. We have already discussed, in the past few posts, that the Assyrian king Sargon II captured Ashdod in 712/11 B.C. The prophet Isaiah makes reference to this event in Isaiah 20:1.

 The LORD revealed the following message during the year in which King Sargon of Assyria sent his commanding general to Ashdod, and he fought against it and captured it. (Isa 20:1 NET)

Sometime discoveries are made, but get little attention. A discovery at Tel Ashdod in 1963 falls into this category. Tel Ashdod was excavated from 1962 to 1972 under the direction of Moshe Dothan. David Noel Freedman wrote an article in Biblical Archaeologist (26:4, 1963)) about “The Second Season at Ancient Ashdod.” He describes the fragments of a stele of Sargon II.

Fragments of another stele, commemorating the victories of Sargon, were found at Ashdod during the current season, thus offering direct confirmation and vivid illustration of the biblical and Assyrian accounts. In all, three pieces of the stele were discovered. Enough can be made of their contents to show that the inscription duplicated in content if not precisely in wording other victory steles of the Assyrian king. By comparing the Ashdod stele with the others it will be possible to reconstruct the missing parts, one of which described the actual conquest of Ashdod. The inscription was carved in cuneiform signs characteristic of Sargon and his period, on all four sides of a slab of basalt which had been imported from a region north of Megiddo. It may have served as a pedestal for an obelisk, or a statue of the emperor. It must have been erected between the year of victory at Ashdod and the death of the king in 705 B.C., perhaps in 707 when a similar stele was set up in Cyprus. With the accession of Sennacherib in 704, most of the vessel countries revolted; Hezekiah of Judah and Sidqa of Ashkelon were the ringleaders in the west. They were able to liberate Ashdod from Assyrian control, and doubtless the event was observed by the destruction of Sargon’s victory stele, symbol of foreign oppression. These fragments of a monumental Assyrian inscription are the first ever found in Palestine.

The photos below were published in an article by Hayam Tadmor (“Philistia Under Assyrian Rule.” Biblical Archaeologist (29:3, 1966). Several years ago I used a digital camera to copy the photo. Sorry it is not better, but at least you can see the pieces. A photo of the piece in the middle below is also published in a BAR article (Jan-Feb, 2007) by H. Shanks on the “Assyrian Palace Discovered in Ashdod,” but the quality is about the same.
Fragment of the Sargon II inscription found at Ashdod.

Fragment of the Sargon II inscription found at Ashdod.

For several years the fragments were displayed in a case across from the replica of the Siege of Lachish in the Israel Museum. For the past years the fragments have not been on display. I made inquiry at the Museum earlier this year without any success. I wonder if the pieces have been moved to the Corine Maman Museum of Philistine Culture in Ashdod. Can anyone help with this?

This discovery is one of those that complement the biblical record. Sargon II (721–705 B.C.) is mentioned only once in the Bible — Isaiah 20:1. Isaiah says that the commanding general of Sargon II fought against Ashdod and captured it.

The photo below shows Sargon II (right) facing a person who is generally considered to be an Assyrian high dignitary. (See the discussion in Fant & Reddish, Lost Treasures of the Bible, 133-140.

Sargon II and an attendant. Displayed in Louvre. Photo by Ferrell Jenkins.

Sargon II and an official. Displayed in Louvre. Photo by Ferrell Jenkins.

Jack Finegan says of the reference to Sargon II in Isaiah 20:1,

… for a long time this was the only place in extant literature where his name was known.

The palace of Sargon II was discovered by Paul Emile Botta at Khorsabad in 1843. This relief comes from that palace, and is displayed in the Louvre. Other reliefs and artifacts from the palace are exhibited in the British Museum and the Oriental Institute of the University of Chicago.

Written copies of Isaiah existed in what we know as the Dead Sea Scrolls nearly 2000 years before the discovery of Sargon’s palace and archive. Perhaps we should be slow to think of Isaiah and other biblical writers as being unhistorical. To say this in a positive way, this illustrates the historical trustworthiness of the Bible. That the only reference to Sargon is specifically linked to Ashdod is even more impressive.

Painting the eyes

Cosmetics and the painting of one’s eyes is nothing new. The photo below shows a Palm-column flask and kohl stick displayed in Boston’s Museum of Fine Arts. The item is said to date between 1386 and 1212 B.C. Information with the item says,

The palm-column flask is one of the best represented types of glass vessels from the New Kingdom. It served as a container for the cosmetic kohl, or eyepaint, made of ground galena mixed with fat or resin and applied to the lids with the slender glass rod.

Palm-column flask and kohl stick. Museum of Fine Arts, Boston. Photo by Ferrell Jenkins.

Palm-column flask and kohl stick. Museum of Fine Arts, Boston. Photo” Ferrell Jenkins.

It was centuries later when Jehu came to see Jezebel at Jezreel. Jezebel, the widow of King Ahab, wanted to make a good appearances on Jehu.

When Jehu came to Jezreel, Jezebel heard of it. And she painted her eyes and adorned her head and looked out of the window. (2 Kings 9:30 ESV)

Perhaps Jezebel did not know that she was preparing herself for her death.

Royal Ontario Museum exhibit showing an Egyptian woman painting her eyes. Photo by Ferrell Jenkins.

Royal Ontario Museum exhibit showing an Egyptian woman painting her eyes. Photo by Ferrell Jenkins.

The prophets also spoke of this practice, but not in a complimentary way, in Jeremiah 4:30 and Ezekiel 23:40.

National Geographic’s Top 10 Museums and Galleries

National Geographic recently released a list of Top 10 Museums and Galleries here.

  1. Smithsonian Institution, Washington, D.C.
  2. Le Louvre, Paris, France
  3. The Acropolis Museum, Athens, Greece
  4. State Hermitage, St. Petersburg, Russia
  5. The British Museum, London, England
  6. The Prado, Madrid, Spain
  7. The Metropolitan Museum of Art, New York City
  8. The Vatican Museum, Vatican City, Italy
  9. The Uffizi Gallery, Florence, Italy
  10. Rijksmuseum, Amsterdam, the Netherlands
Entrance to the Louvre at night. Photo by Ferrell Jenkins.

Entrance to the Louvre at night. Photo by Ferrell Jenkins.

Over the years I have had the opportunity to visit each of these museums at least once. While I enjoy the art, I am usually looking for artifacts that provide some background for the Bible. That would make a good list.

If I should be asked to suggest number 11, it would be the Pergamon Museum, Berlin, Germany.